After the war, he returned to finish his major. The repetition of the title in the opening phrase states the narrator's literal experience but suggests much more. So these moments count for a lot--peace, you know. Indeed, when teaching this poem, I often link it to similar poems written by Elizabeth Bishop, another poet who likes to explore the possible harm when humans intrude upon the natural environment and mar the landscape. The illumination reaches its peak of brilliance upon discovery of the fawn. Common themes of poems are life, death, or the conflicting forces thereto.
He uses the cars' noise and lights to contradict the silence of the wilderness. The deer is no longer a mere carcass, a heap, but a vessel with a life inside it. If this was a moment he told himself as poet he would go on writing his poems anywhere, it must have been one of the best moments in a career that has had more good ones than most. The refined poems of this volume invite the reader into a spacious world. Copyright © 1976 by Louisiana State University Press. Symbolism examples: The unborn fawn symbolizes lack of opportunities. People like that poem because it makes them feel shitty.
But I can't defend this. Surely the deer should be moved, rolled off the road and down into the river. When he died of a heart attack in 1993, he was working on a poem on the very morning of his death. Beside that mountain road I hesitated. Furthermore, both worlds are presented in terms of life that suggest the human.
Irregular in meter, the poem employs no rhyme scheme. This is typical William Stafford, giving the reader some vital information, some advice, a bit of local wisdom. He cannot simply push death to the side of the road. Instead of worrying about the problem, one has to accept the things as they are. My fingers touching her side brought me the reason-- her side was warm; her fawn lay there waiting, alive, still, never to be born. William Stafford based his poem on an actual incident which he was involved in on the road in Oregon state one time. To illustrate the theme of death, Stafford presents a metaphor relating the literal road to the road of life.
The traveler's hesitation, therefore, may be seen as simply a moment of silence, a secular prayer before performing his inescapable task. This poem is based on the free verse type of poetry. This is what the whole thing is about. Will he open up the doe to check on her fawn? If you want to contact us regarding any particular content on the website, please use the contact page. All content submitted here are by contributors.
You stand corrected, whomever you are. In the beginning, the poet is moved deeply by the fawn but at the end, we find he ends the life of the fawn by pushing its mother down into the river. In the third line; we see the poet immediately decides to push the doe into the river as the road is narrow and can trigger more accidents. Do you like real life stories with drama and plot twists? The triads do not end here, but persist through the characters in the novella. He realizes human culpability and his very real part in it. At first, his decision with what to do with the deer is easy; he knows he must push it off the edge for the safety of other motorists, but then, a closer examination of the deer reveals to the man new circumstances.
What is there of interest that draws people to that poem? The poem's speaker stops his car to push a recently killed doe off the mountain road, where the carcass is a driving hazard, into a canyon. We have to do it, too. Furthermore, it is necessary to deal properly with this problem so one can continue on their path in life. Darkness usually foreshadows a frightful event or dreadful event. But as is the case with many a local issue, there is a universal point to be made.
There is also personification in the final quatrain when the car aims its parking lights. The darkness also suggests the narrator's confusion about what to do with the deer. It's not bad enough that he does it. Note the language in this second quatrain - stumbled, heap, almost cold, dragged - it's as if the driver, the speaker, isn't too happy to be doing this, and is treating the animal the same way he would a sack of stones. In its broadest outline it reiterates the theme of confrontation between technology and wilderness, one which leads to the jeopardy of the latter.
He alone must decide the fate of the fawn. The speaker continually moves from darkness to light, from ignorance to comprehension. One main way the theme of death is illustrated is through symbolism of the deer, canyon, and river. They especially lend themselves to meditative reading, and their gift is a sense of deepened understanding of and participation in the natural world. He was filled with pity and was unwilling to do anything.